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  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Giller-Nominated Author, Shashi Bhat, Has Perfected the Art of Short Story Telling
  • “As You Like It Or The Land Acknowledgement” Offers a Brutally Honest Take on Land Acknowledgments
  • An Evening with A.R Rahman at VIFF: Over-Promised, Under-Delivered
  • More Fringe 2024 Reviews!
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Fringe 2024 Reviews
  • Early Music Festival: Bach Motets and Bach & Mandolin
  • Early Music Festival 2024: Monteverdi’s Vespers of 1610
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • ITSAZOO’s Sunrise Betties: Rewarding Watch for Thriller and History Buffs Alike
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • “Snow White” by Carousel Theatre for Young People Dazzles with Brechtian Brilliance
  • VIFF 2023 Wrap Up
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Pippa Mackie’s “Hurricane Mona” Counters Climate Anxiety with Radical Humor
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: I Used to be Funny
  • VIFF Live: 32 Sounds
  • VIFF Live: Machine Folklore Fails to Impress
  • VIFF 2023: Richelieu
  • Vancouver Fringe 2023 Platforms a Plethora of Transformative Artistic Expressions
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Zahida Rahemtulla’s The Wrong Bashir tackles cultural amnesia using Ismaili humor
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Angel’s Bone at Indiefest : Shining Light on a Darker Side of Society
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Overture/s: Ballet BC is Back with Fearless Choreography by Sharon Eyal, Gai Behar, Medhi Walerski and Dutch stars, Imre and Marne van Opstal
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Despite Virtual Setting, Vancouver International Burlesque Festival 2021 Titillated Body and Mind
  • VIFF 2020: “Frida Kahlo” AKA Dollar Sign Dollar Sign Dollar Sign
  • Why Ian Williams is the Canadian Author We Stan

Vancouver Folk Fest Photo Diary

Day 2 at the Vancouver Folk Music Festival at Jericho beach park on Saturday Jul 14, 2018, in Vancouver, BC, Canada
-  Photo © Stephanie Lamy
July 19, 2018July 21, 2018
vanlovesart

The sun was shining on the grassy fields of Jericho Beach for the 41st Vancouver Folk Festival last weekend. The lineup boasted of folk musicians ranging from the new and emerging to the well-known, mainstream kingpins. Headliners Neko Case, The Dead

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Bard on the Beach’s “Timon of Athens” Provides a Funny, Savvy Perspective on 21st Century Life

Timon_Press_8
July 16, 2018July 16, 2018
vanlovesart

Bard on the Beach’s “Timon of Athens” is Shakespeare at its best. Director Meg Roe has taken a script that is convoluted, difficult to decipher, and, many scholars believe, actually unfinished, and turned it into a meaningful and thought-provoking commentary

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“Volcano” at Dancing on the Edge Festival is Interested in Upheavals and their Domino Effects

878A4BB1-A2A1-45AE-9C20-B2D5A60FEBDE
July 13, 2018July 13, 2018
vanlovesart

Part of the Dancing on the Edge Festival, “Volcano” investigates how, for better or worse, sometimes inexplicable events can interrupt the frenetic bustle of modern life. The particular event under the spot light was the Icelandic eruption of 2010, which caused

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Toronto Fringe: The Gameplay and Carmilla

06-07-2018-003423-8840
July 13, 2018July 13, 2018
vanlovesart

The Gameplay “The Gameplay” is a two-person play centred on the contrast between a boy’s relationship with the physical world around him and that with the world in an online video game. The show explores the strangeness of interactions we have with

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Toronto Fringe: Katharine Ferns Is In Stitches, Echoes, Living Will and The Merkin Sisters

05-23-2018-213355-8766
July 12, 2018July 12, 2018
vanlovesart

Katharine Ferns Is In Stitches Brave has a new name and it is Katharine Ferns. This Fringe show is a dark comedy and stand-up routine that keeps us on the edge for the entire hour. There are times when we laugh,

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Toronto Fringe: 4’33” in Baghdad, F*cking Perfect and Police Cops In Space

Toronto Fringe: 4’33” in Baghdad, F*cking Perfect and Police Cops In Space
July 11, 2018July 11, 2018
vanlovesart

  4’33” in Baghdad Referencing John Cage’s musical composition, “4’33” in Baghdad” is not what it seems. It goes back to the recent past, and the persisting present of the riveting Middle East, to reveal how music might have been

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“As You Like It”: Bard on The Beach Does Shakespeare Lite With A Beatles Musical

AsYouLikeIt_Press3
July 7, 2018July 7, 2018
vanlovesart

If ever there was a Shakespearean work that was summery, breezy and required minimal mental cardio, “As You Like It” is it. The Bard on the Beach team has set this sangria-like romantic comedy to the backdrop of 1960s Vancouver

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