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  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

Vancouver Folk Fest Photo Diary

July 19, 2018July 21, 2018
vanlovesart
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The sun was shining on the grassy fields of Jericho Beach for the 41st Vancouver Folk Festival last weekend. The lineup boasted of folk musicians ranging from the new and emerging to the well-known, mainstream kingpins. Headliners Neko Case, The Dead

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Bard on the Beach’s “Timon of Athens” Provides a Funny, Savvy Perspective on 21st Century Life

July 16, 2018July 16, 2018
vanlovesart
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Bard on the Beach’s “Timon of Athens” is Shakespeare at its best. Director Meg Roe has taken a script that is convoluted, difficult to decipher, and, many scholars believe, actually unfinished, and turned it into a meaningful and thought-provoking commentary

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“Volcano” at Dancing on the Edge Festival is Interested in Upheavals and their Domino Effects

July 13, 2018July 13, 2018
vanlovesart
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Part of the Dancing on the Edge Festival, “Volcano” investigates how, for better or worse, sometimes inexplicable events can interrupt the frenetic bustle of modern life. The particular event under the spot light was the Icelandic eruption of 2010, which caused

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Toronto Fringe: The Gameplay and Carmilla

July 13, 2018July 13, 2018
vanlovesart
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The Gameplay “The Gameplay” is a two-person play centred on the contrast between a boy’s relationship with the physical world around him and that with the world in an online video game. The show explores the strangeness of interactions we have with

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Toronto Fringe: Katharine Ferns Is In Stitches, Echoes, Living Will and The Merkin Sisters

July 12, 2018July 12, 2018
vanlovesart
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Katharine Ferns Is In Stitches Brave has a new name and it is Katharine Ferns. This Fringe show is a dark comedy and stand-up routine that keeps us on the edge for the entire hour. There are times when we laugh,

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Toronto Fringe: 4’33” in Baghdad, F*cking Perfect and Police Cops In Space

July 11, 2018July 11, 2018
vanlovesart
Uncategorized

  4’33” in Baghdad Referencing John Cage’s musical composition, “4’33” in Baghdad” is not what it seems. It goes back to the recent past, and the persisting present of the riveting Middle East, to reveal how music might have been

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“As You Like It”: Bard on The Beach Does Shakespeare Lite With A Beatles Musical

July 7, 2018July 7, 2018
vanlovesart
Uncategorized

If ever there was a Shakespearean work that was summery, breezy and required minimal mental cardio, “As You Like It” is it. The Bard on the Beach team has set this sangria-like romantic comedy to the backdrop of 1960s Vancouver

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