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  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

Talking “Anna Karenina”, Alexei Karenin, and Literature to Ballet Adaptations with National Ballet of Canada’s Brendan Saye

November 12, 2018November 12, 2018
vanlovesart
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Leo Tolstoy’s “Anna Karenina” beckons thoughts of rich aristocrats, gold tapestries, Russian revolutions and beautiful yet troubled heroines. Some of us have braved its 800 pages while others dream of the day we can finally cross it off our reading

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Ballet BC Season Opener “Program 1” is a Warm and Creative Mix of Theatrical Styles

November 4, 2018
vanlovesart
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Ballet BC’s 2018/ 2019 session has begun with the wonderfully eclectic “Program 1” which showcases works spanning three decades of contemporary dance. The line-up balances a tumultuous and poetic piece, “Enemy in the Figure” from 1989, by celebrated choreographer William Forsythe,

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“Backbone” is a Grand Spectacle of Human Strength

November 2, 2018
vanlovesart
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“Backbone” is the latest show by the Australian circus group Gravity and Other Myths. Directed by Darcy Grant, the performance reflects an organic composition of playful interactions through extraordinary dance and acrobatic talent. It has a Cirque du Soleil vibe

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“Sweat” Takes a Look at the Seeds of Trump’s America

October 31, 2018
vanlovesart
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The play “Sweat”, comes with a bit of a fanfare. It won the Pulitzer Prize last year (for Drama), and during its Broadway run was heralded as showcasing the zeitgeist of our age, the blue-collar discontent which was in part

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“The Ones We Leave Behind” Tackles Urban Loneliness and Leaves You Transformed

October 28, 2018
vanlovesart
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There are plays that tug at your heartstrings and you know, once you’ve witnessed them, that they will never leave you. “The Ones We Leave Behind” is just such an experiential piece that stays with you because it talks about

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Franz Lehár’s “The Merry Widow” is a Visually and Musically Scintillating Operetta

October 24, 2018
vanlovesart
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Bathed in extravagance and out-of-this-world costumes and set design, Franz Lehár’s “The Merry Widow” was a smash-hit on its opening night in Vancouver at the Queen Elizabeth Theatre. This operetta is an indulgent treat! It is a marvellous display of

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“A Brief History of Human Extinction” Ponders Our Dystopian Future

October 19, 2018October 19, 2018
vanlovesart
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The year is 2178. The last woman on earth is haunted by a question: Do humans deserve a second chance? Granted, it didn’t work out great the first time. Homo-sapiens’ insatiable appetite for earth’s resources has created optimum conditions for a deadly

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