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  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Giller-Nominated Author, Shashi Bhat, Has Perfected the Art of Short Story Telling
  • “As You Like It Or The Land Acknowledgement” Offers a Brutally Honest Take on Land Acknowledgments
  • An Evening with A.R Rahman at VIFF: Over-Promised, Under-Delivered
  • More Fringe 2024 Reviews!
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Fringe 2024 Reviews
  • Early Music Festival: Bach Motets and Bach & Mandolin
  • Early Music Festival 2024: Monteverdi’s Vespers of 1610
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • ITSAZOO’s Sunrise Betties: Rewarding Watch for Thriller and History Buffs Alike
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • “Snow White” by Carousel Theatre for Young People Dazzles with Brechtian Brilliance
  • VIFF 2023 Wrap Up
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Pippa Mackie’s “Hurricane Mona” Counters Climate Anxiety with Radical Humor
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: I Used to be Funny
  • VIFF Live: 32 Sounds
  • VIFF Live: Machine Folklore Fails to Impress
  • VIFF 2023: Richelieu
  • Vancouver Fringe 2023 Platforms a Plethora of Transformative Artistic Expressions
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Zahida Rahemtulla’s The Wrong Bashir tackles cultural amnesia using Ismaili humor
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Angel’s Bone at Indiefest : Shining Light on a Darker Side of Society
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Overture/s: Ballet BC is Back with Fearless Choreography by Sharon Eyal, Gai Behar, Medhi Walerski and Dutch stars, Imre and Marne van Opstal
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Despite Virtual Setting, Vancouver International Burlesque Festival 2021 Titillated Body and Mind
  • VIFF 2020: “Frida Kahlo” AKA Dollar Sign Dollar Sign Dollar Sign
  • Why Ian Williams is the Canadian Author We Stan

Twelve Twats and a Harp: Raïna von Waldenburg’s “12 Minute Madness” is a Fearless Dance About Sexual Abuse

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May 22, 2018May 23, 2018
vanlovesart

In “12 Minute Madness” playwright, director, professor and choreographer, Raïna von Waldenberg, goes where few dance shows dare to go. Using twelve characters to depict the twelve psyches that inhabit the mind of a child sexual abuse survivor, von Waldenburg

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The Three Pieces in Ballet BC’s “Program 3” Achieve Astounding Synchronicity

BBC_Dress_BILL_10052018_130 photo┬®Michael Slobodian
May 12, 2018May 13, 2018
vanlovesart

Ballet BC dazzles again with “Program 3” at the Queen Elizabeth Theatre. Showcasing three works, which are loosely linked together through the use of the human voice in their musical accompaniment. It is an audacious program full of textural and

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Baroque Connoisseurs Debut Forgotten Russian Repertoire in “Russian White Nights: Opera Arias from 18th century St. Petersburg”

Karina Gauvin by Michael Slobodian 2
May 12, 2018
vanlovesart

An opera singer called the “Queen of Baroque,” a revered music director/conductor of three baroque orchestras, and the Pacific Baroque Orchestra merged their talents on May 6th at the Chan Centre. Marked by winged flights of operatic undulations, violins conversing

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How Rino Pace’s Love For Wide Open Landscapes Led To An Award Winning Career in Film Location Scouting

A town built (on land east of Calgary, Alberta) for "The Assassination of Jesse James"
May 11, 2018May 11, 2018
vanlovesart

The Pemberton Ice Cap (photographing the hand-stitched panorama below) Taking helicopters to remote mountaintops, some covered in snow, ice and glacier lakes, others barren, remote, desolate and hot. Wind blowing in your face, sun beating down, rain, maybe hail. Stitching

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Shannon Chan-Kent led “Peter and the Wolf” Delights Younger Audiences at the Vancouver Opera Festival

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May 9, 2018May 9, 2018
vanlovesart

How can we best introduce children to the splendid array of instruments in an orchestra? On an afternoon crowned with cherry blossoms and sparkling waters around Vancouver, it was this pedagogical question that eventually enabled numerous children to crowd into the

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The Soul is Wrenched and Resurrected in Vancouver Opera Festival’s “Requiem For A Lost Girl”

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May 7, 2018May 7, 2018
vanlovesart

Have you ever felt like your heart filled to the brim and drained all at once? If art is meant to touch the soul, this opera lurches and grabs every inch of you and refuses to let go. Based on

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“Eugene Onegin” at Vancouver Opera Festival is An Emotional Affair That Requires Some Prior Reading

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May 2, 2018May 2, 2018
vanlovesart

This year’s Vancouver Opera Festival has a Russian White Nights theme, paying homage to the solstice festival held in St Petersburg every year. There’s plenty going on, but the two headliners are pieces that interpret important works of Russian literature. One

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