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  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

Twelve Twats and a Harp: Raïna von Waldenburg’s “12 Minute Madness” is a Fearless Dance About Sexual Abuse

May 22, 2018May 23, 2018
vanlovesart
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In “12 Minute Madness” playwright, director, professor and choreographer, Raïna von Waldenberg, goes where few dance shows dare to go. Using twelve characters to depict the twelve psyches that inhabit the mind of a child sexual abuse survivor, von Waldenburg

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The Three Pieces in Ballet BC’s “Program 3” Achieve Astounding Synchronicity

May 12, 2018May 13, 2018
vanlovesart
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Ballet BC dazzles again with “Program 3” at the Queen Elizabeth Theatre. Showcasing three works, which are loosely linked together through the use of the human voice in their musical accompaniment. It is an audacious program full of textural and

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Baroque Connoisseurs Debut Forgotten Russian Repertoire in “Russian White Nights: Opera Arias from 18th century St. Petersburg”

May 12, 2018
vanlovesart
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An opera singer called the “Queen of Baroque,” a revered music director/conductor of three baroque orchestras, and the Pacific Baroque Orchestra merged their talents on May 6th at the Chan Centre. Marked by winged flights of operatic undulations, violins conversing

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How Rino Pace’s Love For Wide Open Landscapes Led To An Award Winning Career in Film Location Scouting

May 11, 2018May 11, 2018
vanlovesart
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The Pemberton Ice Cap (photographing the hand-stitched panorama below) Taking helicopters to remote mountaintops, some covered in snow, ice and glacier lakes, others barren, remote, desolate and hot. Wind blowing in your face, sun beating down, rain, maybe hail. Stitching

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Shannon Chan-Kent led “Peter and the Wolf” Delights Younger Audiences at the Vancouver Opera Festival

May 9, 2018May 9, 2018
vanlovesart
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How can we best introduce children to the splendid array of instruments in an orchestra? On an afternoon crowned with cherry blossoms and sparkling waters around Vancouver, it was this pedagogical question that eventually enabled numerous children to crowd into the

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The Soul is Wrenched and Resurrected in Vancouver Opera Festival’s “Requiem For A Lost Girl”

May 7, 2018May 7, 2018
vanlovesart
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Have you ever felt like your heart filled to the brim and drained all at once? If art is meant to touch the soul, this opera lurches and grabs every inch of you and refuses to let go. Based on

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“Eugene Onegin” at Vancouver Opera Festival is An Emotional Affair That Requires Some Prior Reading

May 2, 2018May 2, 2018
vanlovesart
Uncategorized

This year’s Vancouver Opera Festival has a Russian White Nights theme, paying homage to the solstice festival held in St Petersburg every year. There’s plenty going on, but the two headliners are pieces that interpret important works of Russian literature. One

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