Skip to content
  • Home
  • About

  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

“Vancouver Guldasta” is a Refreshing Welcome

October 7, 2018October 7, 2018
vanlovesart
Uncategorized

When I walked into the Culture Lab, I was welcomed into a home. It felt familiar, with floral couches and pictures of the Golden Temple, which I am accustomed to seeing in many Punjabi Sikh homes. “A Vancouver Guldasta”, thus,

Read more

“Dear Elizabeth” at Fringe 2018

September 18, 2018
vanlovesart
Uncategorized

“Dear Elizabeth”, Wunderdog Theatre’s most recent project, explores the thirty year relationship between American poets Sarah Bishop and Robert Lowell. From 1947-1977, the literary duo shared the ups and downs – divorces, the death of a partner, the birth of

Read more

Fringe 2018 Reviews

September 18, 2018
vanlovesart
Uncategorized

The Other Side of the Flood   “The Other Side of the Flood” is a one-man show that sheds light on the traumas we face from political action, or lack there of, war and violence through our investment and ubiquitous

Read more

Sunrises and Sunsets at the Amphitheatre Gorge: Acts We Caught Over Sasquatch Weekend

July 27, 2018July 30, 2018
vanlovesart
Uncategorized

  Surrendering to the best indie musicians shred guitars, framed by endless expanse of summer air and the earthy gradients of cliffsides, is an essential part of the West Coast music festival experience. As far as settings go there are

Read more

A Glamorous Musical in a Beautiful Setting: Theatre Under the Stars Transforms “42nd Street” Into an Outdoor Festival-like Experience

July 25, 2018July 25, 2018
vanlovesart
Uncategorized

It’s fair to say that being in your 72nd session justifies the title Vancouver summer institution. “Theatre Under the Stars” (TUTS) continues a long tradition of outdoor theatre in Stanley park dating from 1934 (with some hiatuses over the years

Read more

Titus Bouffonious, Misery, 1 Hour Photo, The Japanese Problem and Jabber Sweep the 2018 Jessie Awards

July 25, 2018July 26, 2018
vanlovesart
Uncategorized

Every year Vancouver’s theatre community gathers to recognise the hard work of its members at the Jessies. For its 36th year, the ceremony was held at the scenic Bard on the Beach Main Stage. It was wonderful to see our city’s

Read more

Vancouver TheatreSports’ Avocado Toast – Vancouver Grown Organic Free-Range Comedy Takes a Swing at Vancity Stereotypes

July 21, 2018
vanlovesart
Uncategorized

When it comes to comedy, self-deprecating humour is king. In Vancouver TheatreSports’ Avocado Toast – Vancouver Grown Organic Free-Range Comedy, some of the city’s most talented improv comedians take a shot at the crown, poking fun at the colourful clichés

Read more

Posts navigation

Older posts
Newer posts

© 2026   The Vancouver Arts Review
 

Loading Comments...