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  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

We Can’t Get Over Vancouver Opera’s “The Overcoat”

April 30, 2018May 4, 2018
vanlovesart
Uncategorized

Those who find that the opera is an artform not meant for the masses can rejoice in Vancouver Opera and Toronto’s Canadian Stage Company and Tapestry Opera’s production of Nikolai Gogol’s 1842 short story. “The Overcoat – a musical tailoring” 

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“World Without Us” and “The Explanation” Contextualise Human Existence in the Grander Scheme of Things

April 28, 2018April 28, 2018
vanlovesart
Uncategorized

Watching “World Without Us” and “The Explanation” back to back at the Cultch, and in that order, was serendipitous. On the surface, no two plays could be further apart but in retrospect, it’s clear that they share the same core

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In Conversation with Sandra Semchuk, 2018 Governor General Visual and Media Arts Award Winner

April 15, 2018April 17, 2018
vanlovesart
Uncategorized

I would like to acknowledge that Vancouver is on the traditional, ancestral, and unceded territory of the Musqueam, Squamish,and Tsleil-Waututh First Nations- Maddison Miller “Sandra Semchuk’s work reminds us of the necessity to continually rethink our positions as artists, as

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2018 Governor General Award Winner, Adrian Stimson, Explores Indigenous Culture, Identity, and History With Beauty and Humour

April 14, 2018April 16, 2018
vanlovesart
Uncategorized

Never one to shy away from controversy, Canadian visual and performance artist, Adrian Stimson, has been asking difficult questions with his art for decades. He has done so with humour and a perspective like no other. Often drawing from his

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Our Picks at Vancouver Fashion Week 2018

March 29, 2018March 29, 2018
vanlovesart
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An extravaganza of daring art and epitome of beauty, Vancouver Fashion Week 2018 brought together diversity in all shades and a spectrum of aesthetics. From urban chic footwear from Samuel Tick you can’t wait to wear, to picturing yourself as

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“Chelsea Hotel” Gives You a Taste of Creative Utopia

March 26, 2018March 27, 2018
vanlovesart
Uncategorized

“Chelsea Hotel: The Songs of Leonard Cohen” is a tribute like no other. In it, we witness an artist’s love for music. His journey as a composer shines through in a theatrical orchestration of musical talent and spectacle. “Chelsea Hotel” commemorates

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Cheyenne Mabberley On the Riotous Teenage Years That Inspired “The After After Party”

March 6, 2018March 7, 2018
vanlovesart
Uncategorized

When Cheyenne Mabberley and Katey Hoffman debuted “The After Party” at the 2016 Fringe Festival, no one was prepared for the theatrical phenomenon the show would become. It won the Pick of the Fringe, Cultchivating the Fringe Award as well as

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