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  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Giller-Nominated Author, Shashi Bhat, Has Perfected the Art of Short Story Telling
  • “As You Like It Or The Land Acknowledgement” Offers a Brutally Honest Take on Land Acknowledgments
  • An Evening with A.R Rahman at VIFF: Over-Promised, Under-Delivered
  • More Fringe 2024 Reviews!
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Fringe 2024 Reviews
  • Early Music Festival: Bach Motets and Bach & Mandolin
  • Early Music Festival 2024: Monteverdi’s Vespers of 1610
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • ITSAZOO’s Sunrise Betties: Rewarding Watch for Thriller and History Buffs Alike
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • “Snow White” by Carousel Theatre for Young People Dazzles with Brechtian Brilliance
  • VIFF 2023 Wrap Up
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Pippa Mackie’s “Hurricane Mona” Counters Climate Anxiety with Radical Humor
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: I Used to be Funny
  • VIFF Live: 32 Sounds
  • VIFF Live: Machine Folklore Fails to Impress
  • VIFF 2023: Richelieu
  • Vancouver Fringe 2023 Platforms a Plethora of Transformative Artistic Expressions
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Zahida Rahemtulla’s The Wrong Bashir tackles cultural amnesia using Ismaili humor
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Angel’s Bone at Indiefest : Shining Light on a Darker Side of Society
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Overture/s: Ballet BC is Back with Fearless Choreography by Sharon Eyal, Gai Behar, Medhi Walerski and Dutch stars, Imre and Marne van Opstal
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Despite Virtual Setting, Vancouver International Burlesque Festival 2021 Titillated Body and Mind
  • VIFF 2020: “Frida Kahlo” AKA Dollar Sign Dollar Sign Dollar Sign
  • Why Ian Williams is the Canadian Author We Stan

The Books That Kept Our Hearts Beating in 2020

john-mark-smith-P6uqpNyXcI4-unsplash
December 29, 2020December 29, 2020
vanlovesart

  They’re throwing phrases around like “light at the end of the tunnel” and “new year, new beginnings” and “Vaccines! Vaccines! Vaccines!” 2020 was so off-script that feeling hopeful now feels like a trap. But hope is powerful. It is

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VIFF 2020: “Black Bear” is Profound and Twisted

VIFF 2020: “Black Bear” is Profound and Twisted
October 10, 2020October 10, 2020
vanlovesart

“Black Bear” has been marketed as a cross between a thriller and a comedy. I’d say it’s a cross between a mushroom trip and a fever dream. Director Lawrence Michael Levine has created a work that is so novel it

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VIFF 2020: “Frida Kahlo” AKA Dollar Sign Dollar Sign Dollar Sign

Filming Alfredo Vilchis Roque © EXHIBITION ON SCREEN
October 7, 2020October 8, 2020
vanlovesart

The world premiere of the documentary Frida Kahlo at VIFF unsurprisingly adds little to the gargantuan body of work on Frida. In fact, the parts that were left out of the documentary become the most revealing elements in a film which otherwise

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Why Ian Williams is the Canadian Author We Stan

Ian-Williams 2020-by-Justin-Morris-low res
September 18, 2020September 18, 2020
vanlovesart

  The Giller Prize-Winning Writer on Craft, “Reproduction”, Academia, Workshopping, and His Pandemic-Edition Creative Process   I never understood why critics sometimes describe books as “devastating” but after reading Ian William’s “Reproduction,” I get why. The book is, at once,

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Anoushka Ratnarajah on a Digital Vancouver Queer Film Festival That is Supporting Queer and Trans Folks of Colour During the Chaos of Covid

Anoushka Ratnarajah_Artistic Director
July 17, 2020
vanlovesart

As the Artistic Director of the Vancouver Queer Film Festival (VQFF), Anoushka Ratnarajah never imagined being faced with a task like this. Now in it’s 32nd year, the Festival has had to reinvent itself in the face of a pandemic

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Medhi Walerski Finesses Ballet BC’s “Romeo + Juliet” For Young Audiences the Second Time Around

Dancers Zenon Zubyk, Jordan Lang, Chase Buntrock_BBC_R+J_04032020_272 photo©Michael Slobodian
March 10, 2020
vanlovesart

It has been a long time since I read “Romeo and Juliet” or watched the much-loved Claire Danes and Leonardo Dicaprio movie. What I remembered was young romance, two fighting families and distraught, unnecessary deaths. However, we barely needed a

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“Le NoShow Vancouver” Surprises and Entertains

“Le NoShow Vancouver” Surprises and Entertains
March 2, 2020
vanlovesart

I had no idea what to expect from “Le NoShow Vancouver” right up to the moment it started. I sat in the audience wondering “Is it a comedy? Is it improvised?”, then thought it couldn’t be improvised because there were

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