When I tuned in to recent SFU graduate Caroline MacCaull’s 003_playback, I felt like I was watching two shows at once. There was the dance, of course, but the spectacle put on by the audience was equally diverting. Part of

  They’re throwing phrases around like “light at the end of the tunnel” and “new year, new beginnings” and “Vaccines! Vaccines! Vaccines!” 2020 was so off-script that feeling hopeful now feels like a trap. But hope is powerful. It is

“Black Bear” has been marketed as a cross between a thriller and a comedy. I’d say it’s a cross between a mushroom trip and a fever dream. Director Lawrence Michael Levine has created a work that is so novel it

The world premiere of the documentary Frida Kahlo at VIFF unsurprisingly adds little to the gargantuan body of work on Frida. In fact, the parts that were left out of the documentary become the most revealing elements in a film which otherwise

  The Giller Prize-Winning Writer on Craft, “Reproduction”, Academia, Workshopping, and His Pandemic-Edition Creative Process   I never understood why critics sometimes describe books as “devastating” but after reading Ian William’s “Reproduction,” I get why. The book is, at once,

As the Artistic Director of the Vancouver Queer Film Festival (VQFF), Anoushka Ratnarajah never imagined being faced with a task like this. Now in it’s 32nd year, the Festival has had to reinvent itself in the face of a pandemic

It has been a long time since I read “Romeo and Juliet” or watched the much-loved Claire Danes and Leonardo Dicaprio movie. What I remembered was young romance, two fighting families and distraught, unnecessary deaths. However, we barely needed a