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  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

The Books That Kept Our Hearts Beating in 2020

December 29, 2020December 29, 2020
vanlovesart
Uncategorized

  They’re throwing phrases around like “light at the end of the tunnel” and “new year, new beginnings” and “Vaccines! Vaccines! Vaccines!” 2020 was so off-script that feeling hopeful now feels like a trap. But hope is powerful. It is

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VIFF 2020: “Black Bear” is Profound and Twisted

October 10, 2020October 10, 2020
vanlovesart
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“Black Bear” has been marketed as a cross between a thriller and a comedy. I’d say it’s a cross between a mushroom trip and a fever dream. Director Lawrence Michael Levine has created a work that is so novel it

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VIFF 2020: “Frida Kahlo” AKA Dollar Sign Dollar Sign Dollar Sign

October 7, 2020October 8, 2020
vanlovesart
Uncategorized

The world premiere of the documentary Frida Kahlo at VIFF unsurprisingly adds little to the gargantuan body of work on Frida. In fact, the parts that were left out of the documentary become the most revealing elements in a film which otherwise

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Why Ian Williams is the Canadian Author We Stan

September 18, 2020September 18, 2020
vanlovesart
Uncategorized

  The Giller Prize-Winning Writer on Craft, “Reproduction”, Academia, Workshopping, and His Pandemic-Edition Creative Process   I never understood why critics sometimes describe books as “devastating” but after reading Ian William’s “Reproduction,” I get why. The book is, at once,

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Anoushka Ratnarajah on a Digital Vancouver Queer Film Festival That is Supporting Queer and Trans Folks of Colour During the Chaos of Covid

July 17, 2020
vanlovesart
Uncategorized

As the Artistic Director of the Vancouver Queer Film Festival (VQFF), Anoushka Ratnarajah never imagined being faced with a task like this. Now in it’s 32nd year, the Festival has had to reinvent itself in the face of a pandemic

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Medhi Walerski Finesses Ballet BC’s “Romeo + Juliet” For Young Audiences the Second Time Around

March 10, 2020
vanlovesart
Uncategorized

It has been a long time since I read “Romeo and Juliet” or watched the much-loved Claire Danes and Leonardo Dicaprio movie. What I remembered was young romance, two fighting families and distraught, unnecessary deaths. However, we barely needed a

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“Le NoShow Vancouver” Surprises and Entertains

March 2, 2020
vanlovesart
Uncategorized

I had no idea what to expect from “Le NoShow Vancouver” right up to the moment it started. I sat in the audience wondering “Is it a comedy? Is it improvised?”, then thought it couldn’t be improvised because there were

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