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  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

BOW’T TRAIL RÉTROSPEK Gives Us a Glimpse of a Hopeful Future

March 31, 2022March 31, 2022
vanlovesart
Uncategorized

Rhodnie Désir’s BOW’T TRAIL RÉTROSPEK conjures a hopeful vision of the future despite the horrific history of the Americas. Presented by the Vancouver International Dance Festival and the Cultch, this work looks back on Désir’s previous works BOW’T and BOW’T

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Thoughtful and Witty, “Clean / Espejos” is a True Bilingual Triumph

March 23, 2022March 23, 2022
vanlovesart
Uncategorized

(Enjoy our bilingual review of this bilingual play! English words follow the Spanish below.) Algo que me fascinó de la obra Clean / Espejos fue el enfoque en el idioma. Me encantó lo completamente bilingüe que era la obra. Es que

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“Little Red Warrior and His Lawyer” is a Clever Satire about Power, Politics and Indigeneity

March 7, 2022
vanlovesart
Uncategorized

With an outstanding ensemble cast, “Little Red Warrior and His Lawyer” takes you through twists and turns that will have you on a roller coaster of laughter and sobering truths. The wit and candor of the script combined with skillful

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Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”

December 10, 2021December 10, 2021
vanlovesart
Uncategorized

Whether or not the 1762 operatic premiere of the Orfeo ed Euridice love story was meant to be humorous is difficult to know. Vancouver Opera’s 2021 iteration at The Queen Elizabeth Theatre, however, married narrative drama with somatic comedy to

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“Farm to Fable” Takes Audiences for a Ride

November 27, 2021
vanlovesart
Uncategorized

Last Friday night I did dinner a little differently—I set my computer up in my kitchen and logged into Zoom for a live theatre cooking lesson. The Cultch was presenting a new play, “Farm to Fable”, written and directed by

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Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!

November 7, 2021November 7, 2021
vanlovesart
Uncategorized

This week BalletBC rewarded Vancouver’s dance lovers with performances that were both beautiful and badass. Performances that screamed – dance is still here, art is still here, we are still here! With Medhi Walerski at the helm as Artistic Director, the

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Montreal’s RUBBERBAND and Victor Quijada Tackle Instinctive Human Reflexes in “Ever So Slightly”

October 22, 2021October 22, 2021
vanlovesart
Uncategorized

After waiting a full year and a half, Montreal dance company, RUBBERBAND, is finally in town with a show that investigates the upheaval and momentum of societal change. Director Victor Quijada founded RUBBERBAND to create space for fusing contemporary and ballet with

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