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  • Carousel Theatre’s “Paper Bag Princess” is Great Fun for Young Audiences

  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

Fringe Preview: “Mrs. Singh & Me”

September 11, 2015September 12, 2015
vanlovesart
Uncategorized

The Vancouver Fringe opened last night to the glee of the city’s theatre geeks. The line-up this year is bursting with its usual left-of-centre goodness. Playwright Munish Sharma brings cultural flavour to the festival this year with his dark comedy

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Festival Programmer Shana Myara Talks Us Through “The Vancouver Queer Film Festival 2015”

July 29, 2015July 29, 2015
vanlovesart
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Shana Myara has the coolest job in the world. She gets to watch and assess cool, avant-garde cinema for a living. We are jealous all right. Shana has been part of the Vancouver Queer Film Festival (VQFF) for a while

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Bard on the Beach: “King Lear” Theatre Review

July 23, 2015August 14, 2015
vanlovesart
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King Lear’s struggle with insanity makes for one of Shakespeare’s most dramatic tragedies. Bard On the Beach tackles the serious play with an extensive cast on the BMO main stage. Lovers of King Lear know that it is a long

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Preview: “The Rap Guide to Religion”

July 23, 2015July 23, 2015
vanlovesart
Uncategorized

Baba Brinkman traces the roots of faith from tribal animism to radical Islam to Justin Bieber thanking god at the MTV Teen Choice Awards in his latest show, The Rap Guide to Religion. The show fires up the Waterfront Theatre stage on Granville Island, for one

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Bard On the Beach Review: “The Comedy of Errors”

June 18, 2015
vanlovesart
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Summer in Vancouver seems incomplete without an outing to at least one Shakespearean play at Bard On The Beach. This year the line-up is eclectic and full of thematic twists. Shakespeare’s earliest and shortest play, not to mention one of

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Jamie Nesbitt Talks Projections in “Super Voices”

June 10, 2015June 10, 2015
vanlovesart
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Realwheels Theatre has heart like no other theatre company in Vancouver. Their mission is to promote the respectful and accurate representation of disability in the public eye. The company has been responsible for producing shows that allow the talents of

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“Big Bad”: Boca Del Lupo Takes on the Children’s Festival

May 28, 2015
vanlovesart
Uncategorized

Jay Dodge and Sherry Yoon are the creative forces behind Boca del Lupo, a Vancouver-based theatre company that has been challenging the boundaries of traditional theatre for more than twenty years. Their latest production Big Bad is part of the

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