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  • Carousel Theatre’s “Paper Bag Princess” is Great Fun for Young Audiences

  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

The Alberta Ballet’s Nutcracker is Light and Rich, Just Like a Mousse!

December 31, 2015
vanlovesart
Uncategorized

Last night Ballet BC hosted the Alberta Ballet’s production of “The Nutcracker” at Queen Elizabeth Theatre. It was an evening brimming with feminine grace and acrobatic strength. “The Nutcracker” has long been a Christmas favourite. Not just because it is

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Preview: 30th Annual Blues for Christmas

December 15, 2015December 21, 2015
vanlovesart
Uncategorized

The holidays are on the horizon and fast gaining speed. Calendars are filling up rapidly with nights promising eggnog and roaring fires. Stress level spikes will be inevitable! Amidst this manic festive ramp-up, the Commodore is bringing together Vancouver’s top Blues

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Edmund Stripe On Choreographing “The Nutcracker” and All Things Ballet-rific!

December 3, 2015December 3, 2015
vanlovesart
Uncategorized

  What is Christmas without a visit to “The Nutcracker”? A tedious affair, surely. Ballet BC has Vancouver covered for all its Nutcracker needs, with a lavish post-Christmas presentation by the Alberta Ballet. The beloved holiday Ballet will run at

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Playwright Tricia Cooper Examines Refugee Adoption in “Social Studies”

November 20, 2015
vanlovesart
Uncategorized

Winnipeg playwright Tricia Cooper’s new play tells the story of a Canadian family who takes in one of The Lost Boys of Sudan. The project could not have come at a more apt time. “Social Studies” opens its two-week Vancouver

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Ballet BC’s “Program 1” is Winter Perfection

November 7, 2015November 7, 2015
vanlovesart
Uncategorized

Ballet BC have managed to magically push the boundaries of dance yet again. They kicked off their 2015/16 Season with the spectacular “Program 1” last night, which sadly runs only till the 7 of November. The show presents works of

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“Nirbhaya” is Honest and Hard-Hitting Theatre

November 5, 2015November 10, 2015
vanlovesart
Uncategorized

Assembly, Riverside and Poorna Jagannathan Production have taken on the highly ambitious task of reproducing the horrendous gang-rape that shocked the world on December 16th 2012. In “Nirbhaya” the crime is an instrumental backdrop for the real life stories of

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Emma Donoghue Talks ‘Room’, Adaptations and Writing

October 31, 2015February 9, 2016
vanlovesart
Uncategorized

I remember hearing about ‘Room’ when it was shortlisted for the Booker in 2010. I remember how the reviews were full of surprise at the innovation of the story and at the unusual choice of narrator. When you read ‘Room’,

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