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  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN

November 10, 2024November 10, 2024
vanlovesart
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The first night of Ballet BC’s 2024/25 season opener, DAWN, was a sold out affair, and rightly so. On the bill are three unique works by choreographers, Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal, that bend the boundaries

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Strauss’ Die Fledermaus – A Halloween treat!

November 2, 2024
vanlovesart
Uncategorized

“Strauss’ Die Fledermaus” is a playful opera that navigates comedic misunderstandings with twists and turns, including dance numbers. Its Halloween night production was a real crowd pleaser! The audience “ooh”-ed and “aww”-ed and chuckled out loud at ‘inside’ jokes throughout the performance.

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Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour

October 31, 2024
vanlovesart
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“Prism” is a magnificent, mind-bending dance experience that needs more exposure on the West Coast. Contemporary dance company, Tentacle Tribe from Montreal, showcased the Vancouver premier of Prism at the Cultch on Oct. 23, 2024 to an eager audience. So eager,

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“A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”

October 23, 2024October 23, 2024
vanlovesart
Uncategorized

Tanya Talaga has been speaking truth to power for over twenty years. It is difficult to picture the landscape of Truth and Reconciliation in Canada without her sure voice. Her career of twenty years at the Toronto Star moulded Tanya

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Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver

October 17, 2024
vanlovesart
Uncategorized

Lutalo Jones’s debut album, “The Academy,” dropped in the early days of fall this year. The seasonal timing could not have been more apt. As the leaves turned, we bid summer farewell and returned to stillness and contemplation. Mirroring this

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Giller-Nominated Author, Shashi Bhat, Has Perfected the Art of Short Story Telling

October 16, 2024
vanlovesart
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Shashi Bhat writes the interior lives of South Asian women with depth and grace. Her debut novel, “The Family Took Shape” is the coming of age story of Mira, a young South Asian woman, set in the suburbs of Toronto. Its

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An Evening with A.R Rahman at VIFF: Over-Promised, Under-Delivered

October 16, 2024October 21, 2024
vanlovesart
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Note: The images included in this article are from previous performances.  “An Evening with A.R. Rahman: Stories and Music from his Career” was a marquee event at Vancouver International Film Festival (VIFF) in collaboration with Vancouver Symphony Orchestra (VSO). The

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