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  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

“Ringo”: PuSH Festival 2019

January 25, 2019January 25, 2019
vanlovesart
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It was chilling, and not because bricks of dry ice were being pulled from a family sized cooler. The scene was dark and the room was quiet—in the beginning. Tetsuya Umeda walked across a wide room effortlessly navigating a collection

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Governor General’s Poetry Award Winner, Cecily Nicholson, Talks Poetry, Community, and Roots

January 25, 2019January 25, 2019
vanlovesart
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Cecily Nicholson won the 2018 Governor General’s Award for English-language poetry for her latest book, “Wayside Sang”. She has two other books of poetry called “Triage” (2011) and “From the Poplars” (2014). “Wayside Sang” concerns entwined migrations of Black-other diaspora coming

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We’re All Freaks: “The Dakh Daughters” Kick Off Their First Tour in North America

January 24, 2019January 24, 2019
vanlovesart
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If there is anything “freak cabernet” about the Dakh Daughters, it’s that they hug the freak within themselves. A troupe of six actors take up instruments, and in absolute punk spirit, play them unabashedly for 80 minutes. Dakh Daughters have one

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“Mrs. Krishnan’s Party” is an Absolute Hoot!

January 24, 2019January 24, 2019
vanlovesart
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From the surprise of a party to the delicious daal and rice – “Mrs. Krishnan’s Party” is delectable! Theatre in of itself is so enjoyable but when espoused to an interactive party at which you are a guest and participant, the

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The Vancouver Men’s Chorus’ “Making Spirits Bright” is Full of Inclusive Holiday Cheer!

December 12, 2018
vanlovesart
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The Vancouver Men’s Chorus  (VMC) is Canada’s first gay chorus. Founded in 1981, it now has 130+ members. The company put on several shows a year, both at home in Vancouver and across Canada. It is therefore with some embarrassment

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Anosh Irani’s Masterfully Suspenseful “Bombay Black” Shows You Colours You’ve Never Seen Before

December 10, 2018December 10, 2018
vanlovesart
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On a cold Thursday Vancouver night, “Bombay Black” gripped every audience member in the Firehall Arts Centre. It had been a while since I’d held my breath watching a truly riveting drama and feeling unpredictability linger in my chest. One minute

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Frédérick Gravel’s “This Duet That We’ve Already Done (so many times)” is a Raw, Sensual, and Rough Dance Piece

December 4, 2018
vanlovesart
Uncategorized

To start, I’m not a dancer. When I watch dance performances, I’m not sure when to clap because I don’t know which moves are the most difficult. They all look hard to me! And yet dancers have a unique ability

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