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  • “Khalil Khalil” at PuSh 2026: Art is Resistance for Palestinian Artists Creating Art Under Occupation

  • Talking Globalization, the Perception of the Indian Writer, and Having Faith in Writing with Author Kiran Desai

  • “Women of the Fur Trade” Subverts Colonial Historiography with Machiavellian Panache

  • Fringe 2025 Reviews
  • Smooth, Layered, Original: Maribou State Kick Off The “Hallucinating Love” Tour
  • Anosh Irani’s “Behind the Moon” Spotlights Immigrant Issues with Dramatic Flair
  • Abi Padilla’s “Grandma. Gangsta. Guerilla.” Offers a Well-Knit Story, Brimming with Action-Packed Levity
  • East Van Panto Robin Hood Is Giving Cozy, Festive, Political Roast
  • Dance In Vancouver: “Lossy” by Company 605 and “Croquis” by FakeKnot
  • VIFF 2024 Reviews
  • Katha-Keertana Chronicles Delivers a Didactic Discourse via Musical Story-Telling
  • Crystal Pite, Pierre Pontvianne, and Imre and Marne van Opstal Present Risk-Taking, Philosophical Works in DAWN
  • Strauss’ Die Fledermaus – A Halloween treat!
  • Tentacle Tribe’s “Prism” is a Gorgeous Storm of Modern Movement and Colour
  • “A Journalist’s Role is to Tell the Truth:” In Conversation with Tanya Talaga on Her New Book and Documentary Series, “The Knowing”
  • Lutalo Brings “The Academy” And Indie-Rock Driven Life Lessons To Vancouver
  • Agrimony Captures Majestic Intricacies of Anthropocene Societies via Animalistic Ritualization
  • Bard on the Beach: Twelfth Night and Hamlet Bring the Summer Heat
  • PuSH: because i love the diversity (this micro-attitude, we all have it) – A Yogic Meditation on Microaggressions
  • PuSH Festival: Ramanenjana by Tangaj Collective – An Artistic Critique of the Colonial Gaze
  • Heart of the City Festival highlights community resilience in Vancouver’s DTES
  • Silvia Moreno-Garcia Talks About Film, Genre, Writing, and her New Novel, “Silver Nitrate”
  • Kevin Chong’s Students Ask the Writer About his Giller Prize Shortlisted Novel “The Double Life of Benson Yu”
  • VIFF 2023: Sculpting the Giant
  • VIFF 2023: Richelieu
  • VIFF 2023: The Old Oak
  • Fallen from Heaven (Caída del Cielo) Showcases Rocío Molina’s Raw Power
  • Earthy Vancouver Folk Music Festival Returns With A Diverse Lineup
  • Roald Dahl’s Matilda The Musical by Theatre Under The Stars Captures the Euphoria of Youth Rebellion
  • Briefs Factory’s Dirty Laundry immerses you in queer joy
  • First Métis Man of Odesa – Love is the Antidote to War
  • The Lightning Thief – The Percy Jackson Musical Brings Local Talent to Light
  • Soldiers of Tomorrow injects moral clarity into dominant geopolitical discourse
  • Are we not drawn onward to new erA reverses the gaze on mankind’s history to imagine new futures
  • MANUAL is an immersive conversation with a public library
  • Soliloquio (I Woke Up and Hit My Head Against the Wall) is a Heart Wrenching Demonstration of Anti-Art
  • Colored Swan 3: Harriers Remix is a Metaphysical Journey Through Time and Space
  • In My Day – A Tribute to Vancouver’s History of HIV Activism
  • Indiefest 2022 Reimagines Performance Arts by Highlighting Vancouver’s Cultural Diversity
  • Hot Brown Honey – The Remix: a Sweet Taste of Activism
  • Summer Night Fun with Theatre Under the Stars: We Will Rock You and Something Rotten
  • “A Midsummer Night’s Dream”: Bard on the Beach Entrances Vancouver with Shakespeare’s Psychedelic Play
  • Vancouver Opera Returns with the Gothic Glamour and Romance of “Orfeo ed Euridice”
  • Medhi Walerski and BalletBC’s Return to the Stage with “Unfold + Give” Slaps!
  • Why Ian Williams is the Canadian Author We Stan
  • Neworld Theatre’s “Eyes of the Beast” Adapts “The Climate Disaster Project” for Community Dialogue
  • “Much Ado About Nothing” At Bard on the Beach is a Summer Treat
  • Theatre Under The Stars Returns With An Edible Dream: Roald Dahl’s Charlie and the Chocolate Factory, So Don’t Dally. Go Watch It!

Vancouver Opera’s “The River of Light” Draws on Spiritual Texts With Existential Curiosity

May 17, 2019
vanlovesart
Uncategorized

The “River of Light” premiered as part of the 2019 Vancouver Opera Festival. The show included seven movements and featured soloists (opera singers and poetry readers), choir, and orchestra. Each movement was based on a different spiritual text “that describe

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“Beautiful Man” is an Elevated Examination of Gender and the Patriarchy

May 17, 2019
vanlovesart
Uncategorized

Erin Shields’ “Beautiful Man” does more than just flip gender roles. It exposes the absurdity and the downright mental perversity that we succumb to when adhering to these arbitrary roles. You’re probably thinking, I’ve seen many works that show a

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Ballet BC’s “Program 3” is an Intricate and Passionate Study of Desire

May 13, 2019
vanlovesart
Uncategorized

Ballet BC’s “Program 3” was a modern emotional ride in the best sense. The first piece, “Bedroom Folk”, brought us inside ourselves. It was like watching the private life of our neighbours. The second show, “Poesia”, was a delicate exploration

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“La Cenerentola”: Strength in Sweetness

May 11, 2019
vanlovesart
Uncategorized

If ever enchanted by Cinderella, see Rossini’s “La Cenerentola”. It’s a lively, more complex, and humorous version of the beloved fable. Part of what makes this opera accessible is its feverish music written in a flash by Gioachino Rossini and

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“Nassim” Brings Us Home to Our Mumun

May 10, 2019
vanlovesart
Uncategorized

“Nassim” is unexpected and absolutely brilliant! In an unconventional show where a new actor performs every night without any prior knowledge of the script or concept of the play, “Nassim” takes us far away into another city, only to bring

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Applause for “Faust”!

May 6, 2019
vanlovesart
Uncategorized

There is nothing better than having time fly by at the opera! “Faust” is a gripping tale of making a contract with Satan and exploring what we really desire if we had the choice. The classic story warns us that morality

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“Angélique”: A Powerful Reminder of Painful Events in Canadian History that We Conveniently Gloss Over

April 14, 2019
vanlovesart
Uncategorized

“Angélique” is an important Canadian play. It shows us how little we know about our country and its less than savoury past. It is not as difficult a watch as you would imagine, and in doing so it teaches and

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