A night of laughs and splendour, “The Barber of Seville”, is a familiar opera that never gets old. The artful direction by Ashlie Corcoran and impeccable music from the astute orchestra led by Nathan Brock gives life to a spectacle not to be missed. Amongst the few comedic operas, since many tend to be tragedies, “The Barber of Seville” is witty and carries its hilarity with ease.
An opera by Gioachino Rossini, “The Barber of Seville” is a love story, ever so suited for the month of February, both for the incumbent Valentine’s Day and for the oncoming of spring. Akin to the modern rom-com genre, this opera tickles your funny bone and makes you chuckle at some of the dated and dramatic declarations of love. The romance between Count Almaviva, played by Isaiah Bell, making his Vancouver Opera debut, and Rosina, played by Julie Boulianne, is adorable and had the audience swooning. Edward Nelson, who played Figaro, wooed the audience with his remarkable comedic talent, receiving a standing ovation. It was also wonderful to see some visible diversity amongst the cast, with a candid and brilliant performance by Taehyun Jun playing Don Basilio.
With a score that feels familiar and fun, “The Barber of Seville” will have you singing the famous libretto “Figaro, Figaro, Figaro!” when you leave the theatre. For first-time opera-goers, this is the perfect first introduction. For those who are regulars, this production of “The Barber of Seville” may be the best one yet!
– Maira Hassan