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Author: vanlovesart

Tentacle Tribe’s “Ghost” is the Creative Spirit of Montreal in Dance Form

February 18, 2020
vanlovesart

When I was sitting in the audience of “Ghost” last week, and the dancers on stage had just settled into a deep-rooted rhythm, a voice in my head said, “This is SO Montreal.” Everything I love about Montreal lives and

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Ronnie Burkett’s “Forget Me Not” is a Haunting and Romantic Puppet Show For Adults

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February 15, 2020
vanlovesart

At first glance, a theatre show with a secret location may seem like an exclusionary practice rather than a way to build community. However, after descending into the theatre space, and entering the strange, slightly uncomfortable, but always thought-provoking world

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PuSh 2020: “Anywhere But Here” Creates Empathy Around Immigration With Effective Storytelling

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February 15, 2020
vanlovesart

From the minute we walked into the Vancouver Playhouse theatre for Carmen Aguirre’s new play, Anywhere But Here, we were already engrossed in the story. The set, a floor of sand with a backdrop of mountains, alluded to the desert

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“The Barber of Seville” is Familiar and Fun

VO Barber of Seville - Isaiah Bell and Julie Boulianne - photo Tim Matheson
February 15, 2020
vanlovesart

A night of laughs and splendour, “The Barber of Seville”, is a familiar opera that never gets old. The artful direction by Ashlie Corcoran and impeccable music from the astute orchestra led by Nathan Brock gives life to a spectacle

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PuSh 2020: “Footnote Number 12” is Wordy, in a Good Way

Photo by Matt Reznek
February 11, 2020
vanlovesart

“Footnote Number 12” is a contemporary theatre experience made by and for word-nerds. It’s a composition of speech. It questions the politics of language by deconstructing words, sentences, and writing styles. It explores the voice as an instrument, using various

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In “Unikkaaquat” Inuit Founding Myths Take On Spectacular Acrobatic Forms

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February 2, 2020
vanlovesart

“Unikkaaquat” is a wonderful circus show illustrating Inuit creation myths. What a privilege it was to watch this show – to have performers bring these stories to my hometown for me and other Vancouverites. From 1880 to 1951, Indigenous cultural

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“Kuroko” Tackles Social Implications of Technology With Emotion

Kuroko Photos by Chris Randle
January 28, 2020January 28, 2020
vanlovesart

It is easy to see why “Kuroko” sold out its first week and the Cultch added an extra performance. The play is fun, emotional, and educational – everything you could want in a single show! I heard lots of laughter

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